The technique used in stone carving is very much the same as wood carving since soft volcanic rock is used. Stone carving is relatively unaffected by tourist consumerism as most pieces are too exorbitant to ship. You can vividly see stone carving skills in the distinctive split gates, swirling stone friezes, and absurd and menacing mythological statuary. The centers for stone carving are Kapal and Batubulan. Although stone carvings were mainly used to decorate temples and palaces, the carvers had much more leeway in their use of subject matter than the artists and illustrators. There is little difference between the iconography decorating temples and that of private buildings. Gateways represent the dividing line between the inner and outer worlds, and as such are the recipients of some of the most fantastic carvings. As well as portraying deities and demons, the carvers included many scenes from public life and there are many temple surfaces enriched with the antics of the Dutch Colonialists, including scenes of bicycles, drunken parties, car break-downs and even airplanes. Bali’s modem-day centre of stone carving is the village of Batubulan, situated halfway between Denpasar and Gianyar. Although you can see excellent examples of Balinese stone carving all over the island, the temples in the North tend to bc much more creative (with the exception of Pura Puseh in Batabulan).
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